線／與之間─韓國藝術家盧淳天個展
Between L/nes: NO Sooncheon Solo Exhibition

【展出藝術家 Artist】
* 盧淳天 NO Sooncheon

【展覽期間 Time】
8/11（六）～9/22（六 Sat.）
上午11時~下午7時，周日公休
11am~7pm, Sundays off

【展覽地址 Venue】
台北市大安區基隆路二段112號7F
7F., No.112, Sec. 2, Keelung Rd., Da’an Dist. Taipei City
map導航▶▶ https://goo.gl/maps/HgsiP9pYD4D2

繼多納藝術「書寫赤道 - 東南亞當代藝術展」，接著帶領大家進入不同以往多納藝術注重細節及繁複「低公設比」的創作品， 「線與之間──韓國藝術家盧淳天個展」以極簡的線條，溫暖的勾勒出跨越平面維度的人物雕塑，一樽樽像是從畫作中跳躍出來的線條人物，每個都有著像藝術家本人溫和憨厚的個性，引領著我們進入虛實之間的空間藝術。
此次共展出韓國藝術家盧淳天的最新作品，包含5位水墨人物及7件立體雕塑及裝罝共12件精彩作品。身為2017年YAT熱門藝術家之一的盧淳天，在MOT明日誌及雅昌等國內外媒體的熱烈報導下，創造不少話題，此次更帶來不同以往的線性空間雕塑，像是以一尊巨人雕像降臨多納藝術位於大安區的展覽空間，加上許多互動性的裝置作品，將為大小藝術愛好的朋友們帶來暑期最難忘的一個藝術展覽。

盧淳天的作品是以線性材料為主，透過在空間中描繪來表達。在空間中繪製線條需考慮粗細及厚度，與在平面作畫有很大的差異。因觀眾欣賞角度不同，空間中的線條看起來似乎也是平面的。線性雕塑的特性讓我們重新定義了雕塑作品，結合平面及立體創作空間。藝術家曾經嘗試許多不同方法將他的作品在不同空間展出，並研究作品與不同展示空間所產生的效果。透過這些研究，發現展示空間的不同運用與調配會讓同件作品產生完全不同的效果。此外，作品的大小將會延伸觀眾想像的空間。這樣的現象讓觀眾除了感知到實體空間及作品，也將藉由空間及作品的帶領進而探索心靈，進入更高深的藝術世界。

From “Composing Equator: Contemporary Arts of South-East Asia,” Donna Art now brings you to another dimension of art world. A linear formed human and interesting composition of art, with cubism and futurism, above all, the soothing warmth that a minimalist, metal sculptures shouldn’t have obtained. Each characters draw people into a spacial art of Picasso-style of doodle human being.

No Sooncheon’s works are made from linear materials and takes on the challenge of drawing within space as a mode of expression. Lines within space rather than on flat surfaces consist of thickness and volume. However, it seems flat depending on the viewer’s point of view. By deviating from the sense of mass and weight, it has consequently brought about flatness, a scope of pictorial art. Such characteristics of line sculpture reconfirm to us the scope of sculpture, crossing between flat surface and three-dimensional space. He has sought to discover various methods for the pieces and the installation space to suit well, by installing my works in a variety of spaces and researching the relationships between different spaces. Through these studies, he has discovered that although the works are made with the same mass and volume, it completely becomes a different work depending on how space has been utilized. In addition, the size of the work expands the viewer’s range of appreciation. This fact not only allows one to perceive the physical space that the work takes, but also the mental space as a piece of work by giving the viewer a space direction.