《我以為我很特別》倪瑞宏個展
"I thought I was special" Ni Jui Hung Solo Exhibition

展覽日期 ▍2018/12/15-2019/02/16
開幕茶會 ▍2018/12/15 18:00-21:00
開放時間 ▍週二-週六 13:00-19:00
展覽地點 ▍十方藝術空間（台北市中山區德惠街51號）
官網連結 ▍https://www.galerieovo.com/ni-jui-hung-solo-2018
★English Info ▍https://www.galerieovo.com/ni-jui-hung-solo-2018-en

「他們都說我很特別，說完就走。」
「我一定有什麼狐狸精體質。」

“唯有被特別的人認為特別，我們才能覺得自己特別。唯有透過這種方式，我們的愛情永遠是一種很特別愛，只有我們還感覺到他或相信它。”
--《愛情的哲學》（Ein unordrntliches Gefuhl）理查·大衛·普列希特(Richard David Precht)/闕旭玲翻譯

愛情這個主題在這個時代還有談論的必要性嗎？幾年前在網路上看到大家瘋狂在轉帖一位知名企業家給年輕人的十大建議，其中關於愛情部分，他只淡淡的說，就是只有愛與不愛了這兩種，失戀哭完隔天只要用毛巾熱敷眼睛就會沒事，但真的有他說的這麼簡單嗎？朋友在臉書的訊息對話框向我描述各種難解的感情，我都耐心聆聽與陪伴，並在腦中建構出我們對愛情至上的理想世界是多麼夢幻，以為更多元的資訊傳播能夠讓我們更順利抵達，卻發現我們都有嚴重選擇障礙。
去年結束一段三年半的感情後，不再是屬於某人的女友後，我經歷了好幾次短暫關係，他們的共通特質都是轟烈的開始，消失的時候除了手機相簿中幾張檔案，什麼也沒留下。而每一次我都用全部的力氣投入，因為相信『我們』是特別的，而這麼巧有那麼一個人也和你想的一樣。和朋友告解後才恍然大悟，其實自己和《金瓶梅》小說裡努力想要向對方證明自己價值的潘金蓮行為一模一樣，原來我們並不特別呀。
於是圍繞在我身邊那龐大而又不能浮上檯面的感情，除了我自己製造的之外，還有從朋友回收過來的，她們壓著我喘不過氣，我必須要建造一個空間去安置這些情緒。至於這些事件都發生在哪裡呢？根據中國志怪小說的背景下觀看，這些難以言語的感情通常都發生在人煙稀少、偏遠荒僻的場所，如已經廢墟的古井、深山偏僻的草屋、崩敗失色的花園、幽巷封閉的門樓、陰氣重重的廟宇等。這些空間所散發的謎樣魅力，換到城市空間依然不減在愛情開始的那一瞬間，因為精怪的法力施展，所有衰敗都成了金碧輝煌、鳥語花香的幻境，在我們的世界只見你的美。
文/倪瑞宏

☛藝術家介紹☚
倪瑞宏的創作在於記錄生活周遭遇到的各種荒謬處境，特別是全世界最難解惑的感情困擾。在創作材料方面，倪瑞宏有許多特別的偏好，她會使用包裝紙盒上創作，因為包裝紙盒形狀很美跟聞起來很香。
當倪瑞宏進入藝術狀態的時候，磁場也是跟著改變，很多觀眾也會因為看她的圖然後特別找她談心，接著轉變為朋友關係之後，倪瑞宏會將觀眾與個人經驗融合在一起，利用繪畫的方式來記錄這整個過程。
倪瑞宏用她特殊的觀點，去隨意調度置換她手上所收集的各種圖像與顏色，畫面中扁平的少女們是她僱用的演員，向世人展示出她獨特的人間觀察學，並期待自己的作品裡的幽默特質，帶給身邊的人一些小快樂。

★開幕限定special :

因為我們都太特別，這次開幕茶點也沒再隨便，藝術家本人特地委託剛成立法式甜點工作室，研發與展覽主提相符之甜點，試吃過覺得太厲害，而且數量非常有限，太晚來就沒了！！

Amygdala Pâtisserie • 杏仁核 法式甜點

甜點，可以不需要言語去開啟人與人之間的情緒，開心的、難過的。「杏仁核」是大腦負責「情緒」的中心，讓我們能夠挺身而戰或是逃離危險，但透過甜點可以用味覺、視覺與心靈溝通。
為自己留下一份甜點的時間，接受每一份遇見的情緒，相信每一天的你，不論是好還是不好，都會很好。
https://www.facebook.com/amygdalalcb/


Date ▍2018/12/15-2019/02/16
Opening ▍2018/12/15 18:00-21:00
Time ▍Tue.-Sat. 13:00-19:00
Venue ▍GALLERIE OVO（No.51, Dehuei St., Jhongshan Dist., Taipei City）

“They all said I was special and left me with that.”
“I must be a fox.”

“Only when considered special by special people can we feel we are special. Only through this means can our love always be a special kind of love, one that only we can believe in or trust.”
Liebe: Ein unordentliches Gefühl by Richard David Precht. Translated by Jue Xu-ling.

In this era, is love still a topic worthy of discussion? Several years ago, I read a post shared widely on the Internet in which a famous entrepreneur provided young people with ten pieces of advice. Among them, he only lightly touched upon love, stating that there were only two kinds of love: love and love no more. He maintained that when people cried from falling out of love, as long as they provided heat treatment to their eyes with hot towels, they would be fine the next day. But is it really as simple as he claimed? My friends describe to me through Facebook Messenger various entangled relationships. I always listen patiently and provide companionship. In the meantime, I construct in my mind the ideal, fantasy world in which love goes first. I thought more diverse means of disseminating information would be conducive to us arriving there; however, I have found that we all have severe difficulty in making choices.

Last year, I ended a 3.5-year relationship and stopped being someone’s girlfriend. After that, I had several short relationships. They were common in that they all started zealously and ended with nothing but a few photos in my cellphone photo album. Each time, I went all in because I believed that “we” were special, and, incidentally, that person thought the same as I did. Only after I confessed this belief to my friend did it dawn on me that I behaved identically to the character Pan Jinlian from Jin Ping Mei, who strived to prove her worth to her loved one. So, we were not special, after all.

I am smothered by the huge number of relationships around me, relationships both created by me and collected from my friends, and cannot surface for air. I must construct a space to store these emotions. Where did these events happen? According to the conventions of Chinese tales of the miraculous, these affections that are so difficult to express in words typically occur in remote locations with few people, such as abandoned ancient wells, cottages deep in the mountains, long-neglected flower gardens, gatehouses in quiet alleys, and haunted temples. The mysterious charms emitting from these spaces are still as strong in urban space. As love begins, the spirits and anomalies cast their spells, and all the decayed are transformed into a glamorous illusionary realm filled with bird songs and flower fragrance, a world in which only your beauty registers.
Written by: Ni Jui Hung

☛ABOUT ARTIST☚
Her artworks record about life around the various absurd situation encountered, especially the world's most difficult to worry about the feelings of trouble. Her artworks of materials, she has many special preferences, she will use the packaging carton creation, because the packaging carton shape is very beautiful and smell very fragrant.When she goes into the state of art, the magnetic field is followed to change, many viewers will be because of her figure and then specifically to find her talking, and then into a friendship, she will be the audience and personal experience together, the use of painting. To record the whole process. She will use her special point of view, to arbitrarily dispatch her hands to collect a variety of images and colors, the screen of the flat girls are her hired actor, to show the world her unique human observation, and look forward to their own The humor of the work, bring some people around the little happy.