【一切萬悟】林莎 個展 Realize - Lin Sha solo exhibition

開幕茶會：2019.10.10 （四） 3 pｍ

展覽時間：2019.10.10 - 10.27

展覽地點：亞億藝術空間 AHM Gallery





宇宙萬物的運行，尋一趟本質的體悟，一切萬「悟」



1940年出生的藝術家-林莎，生於臺灣宜蘭，1960年代於臺北師範主修西畫，同時也先後師承吳承硯、溥心畬、楊乾鐘、王攀元、廖繼春。

家學傳承中醫與藝術悟道是同時開始，藝術創作期間游走歐美各地，接觸西方文化， 從西班牙、法國、後期定居於紐約，創作從具象風格逐漸轉變為抽象風格，揮筆之間悟出一場傳統水墨與當代藝術的前衛思維。



亞億藝術空間這次展出藝術家林莎於1980年代至2010年創作的系列，「法國香水與花香」、「凍、動、生」、「紅塵內外」、「祈福跨世紀的來臨」、「隱修與神修/金木水火土」，由此而開始由具象逐漸進入抽象的表現手法。媒材的嘗試與西方融合、塑造自己新的語彙，對生命的本質、對禪意、佛家、中醫哲理、易經等等，天地萬物，宇宙之間，對生命的執著與修養錘煉在他的畫布之中。


他深受西方藝術的吸引而前往，如同許多藝術家一樣在接觸到西方文化的衝擊下，漸漸反更深入的去探索自己東方精神的本質，生命的張力不斷的循環著，生命的延續不斷的輪迴著。創作上特別的是他永不忘本，將自己所學的中國藥材大膽地滲入於畫布而形成特殊的複合媒材，將自己的氣與脈導入成創新的水墨皴法。透徹的宇宙觀與生命觀屬於它的獨特之道，行畫流水之間，萬物於此悟出。




【 Realize 】Lin Sha Solo Exhibition

Opening Reception: 10/10/2019 15:00

Duration: 10/10/2019-27/10/2019

Venue: AHM Gallery



Lin Sha, born in Yilan Taiwan in 1940, majored in Western Art at National Taiwan Normal University during the 60s. Afterward, he also studied under Wu Cheng Yan, Pu Xin Yu, Yang Gan Zhong, Wang Pan Yuan, and Liao Ji Chun.

Lin’s family had a Chinese medicine background, which simultaneously influenced his art-creating path. While creating artworks, Lin traveled around Europe and America, getting in touch with Western culture. From Spain to France, he lastly settled down in New York. Lin’s art style gradually changed from figurative art into abstract art. His avant-garde style combined traditional Chinese brush painting and contemporary art.



For this exhibition in AHM Gallery, Lin’s works from 1980 to 2010 are presented: “Perfume and Floral Fragrance from France”, “Hibernation, Movement, Birth”, “Human”, “60.64.2000”, and “Five Elements”; the five series display the transformation of his art style from figurative to abstract. Lin combined Western painting style into his making, shaping a new approach toward art. His realization of life, Zen, Buddhism, Chinese medicine, I-Ching…… were poured into his canvases.



Just like many artists, Lin was first drawn by the fascination of Western art; however, the shock of western culture, on the contrary, led him to dig deeper into his own root, the essence of Eastern culture, which often dwells on reincarnation and the immortality of spirits. The uniqueness of his paintings lies in the fact that Lin valued his origin a lot— he boldly combined his knowledge to Chinese medicine into works, creating an innovative blend of mixed media; he also put his knowledge to Buddhism into forming his own original shading technique. Lin’s art is a representation of his distinctive perspective about life and the realization in this universe.