非池中藝術網

金佶煦的繪畫意識為自我的感受為源頭，以韓國現代藝術注入新的考量。「心印」反映著內心的挑戰和應對，用自己最強有力的內心去感受文化歷史，他的繪畫代表了當代的新傾向： 再次開啟心靈的精神世界，是一種自我信念與信仰的痕跡。

金佶煦曾舉辦多次展覽，在國際間也享有盛譽。作品被首爾美術館、國立現代美術館及其他企業典藏。私人美術館設立於韓國大邱。

Kim Gil-hu is a successor of this innovative thought, and treats the Korean contemporary art in a different new way. What he seeks in art is a transition between modernism and classicism, carrying his creation out with introspection experience and lacquer art particular in Oriental culture. His paintings have a splendor of oil as well as an extensity of bas-relief. Above all, he wants to show us a specific sort of spiritual struggle and mental vibration, and an intensive burst of modern minds. To some extent, his paintings represent the new trend of contemporary art: refreshing the piritual world and transcending the visual art, etc. This is because the spiritual richness goes far beyond the formal solemnity while the former one is an urgent demand in modern society.