非池中藝術網

這次展覽中的作品幾乎都是在厚紙上製作的，在我看來，這種紙張不像畫布那麼局限。雖然這裡所有的畫作都盡我所能，但紙上的圖像更直接、更原始，更直接來自我的內心深處。

當我在工作室繪畫時，發生的自我反思轉移到繪畫中，自然而然地，圖像變成了部分自傳體。顏料的多種應用創造了多層的表面，並從記憶、情感和人類經驗中自然地衍生出來。我作品中反復出現的主題和表現元素源於我與畫作之間的對話。作品大多時候給我新的探索方向，但有時他們堅持保持原樣。在我的工作室裡，圖像稍縱即逝，意識與潛意識搏鬥，每個當下都在與完美掙扎。整個過程中，真實的自我慢慢地浮現。

The paintings in this exhibit were almost all made on heavy paper, a material which in my mind is less confining than canvas. I can say that although all the paintings here are as honest as I can make them, the images on paper are more immediate, raw, and come directly from the depths of my heart.

When I work in the studio, the self-reflection that occurs transfers to the paintings, and naturally the images become partially autobiographical. The multiple applications of paint create a layered surface, and derive organically from memories, emotions, and human experience. The recurring motifs and representational elements in my work spring from the dialogue that takes place between me and the paintings. They mostly give me new directions to explore, but at other times they insist on remaining as they are.

That is the ongoing battle that takes place in my studio: images come and go, my conscious fights the unconscious, immediacy struggles against perfection, and honesty constantly strives to emerge.