非池中藝術網

1992年 出生、生活與創作於臺灣臺中

2017年 畢業於 國立清華大學 藝術與設計學系 藝術教育與創作碩士班

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藝術家自述

1992年出生於臺中，2017年畢業於國立清華大學（前國立新竹教育大學）藝術與設計學系藝術教育與創作碩士班，2018年獲臺南新藝獎入選，2019及2024獲高雄獎入選。現居臺中並創作於此。

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主要以壓克力彩繪於畫布或木板上為創作，並藉由零碎印象組成故事、形成畫面為創作發想，試圖把腦海中浮現的空間影像轉換為畫幅。畫面中一方面在每單張作品上切換各種視點，或利用物件暗示組成相互連結的構圖空間，另一方面則透過符號化物件拼湊情境，使畫面中因為反覆解讀形成不同涵意，構成迂迴卻無出口的遞迴模式。

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創作理念

〈野營地－1/3的香灰〉系列以描繪自家空間作為主要場景。自有記憶以來居住的家屋就未曾變換，出門往返之間，家屋即擔任回溯與定點的功能，是起始也是一日終結的返回地。後來因求學而租賃於外縣市，久久返回家屋，熟悉與陌生逐漸交融於記憶裡，對家屋的印象反而開始變得模糊。如今又因就職與創作的關係，使家屋逐漸脫離原本理解中的樣態，變得如同野營地裡搭建的帳篷，雖然具有必要性，卻不會將視線長期停留在此，而個人在家屋停留的時間點，則呈現三分之一的印象值於腦海中。家屋所構成的環境，不斷因為各種緣由與時間緩慢又持續的保持與變化，而這些差異不僅限於物件、事件，更包含人與之間以及情感與思維上的轉變。經由創作的過程中，持續疊加覆蓋又透出的顏色，都包含些許對於家屋的想像。

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b. 1992, Born, lives and works in Taichung, Taiwan.

2017 M.F.A., National Tsing Hua University, Department of Arts & Design, Hsinchu, Taiwan.

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ARTISTS STATEMENT

Born in Taichung in 1992, the artist graduated in 2017 from the Graduate Program in Art Education and Creation of the Department of Arts and Design at National Tsing Hua University (formerly National Hsinchu University of Education). 2018 she was selected for the Next Arts Tainan Award, and in 2019 and 2024, she was chosen for the Kaohsiung Award. Now she currently resides and creates in Taichung.

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CHEN Yu-Wun primarily works with acrylic paint on canvas or wood panels, drawing inspiration from fragmented impressions to create stories and form images. She attempts to translate the spatial imagery that emerges in her mind into a painted composition. In her works, various viewpoints are switched within each piece, or objects are used to suggest compositions that interconnect spaces. Additionally, symbolic objects are pieced together to form situations, where repeated interpretation of the images leads to varying meanings, creating a recursive yet exitless loop.

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CREATIVE CONCEPT

The “Campsite – incense Ashe of 1/3″ series depicts the home space as its primary scene. Since I can remember, the house I have lived in has never changed. On trips out and back, the house serves as a point of reference and return, both the beginning and the end of the day. Later, I rented accommodation in other counties for my studies, and as time passed between returns, the familiar and unfamiliar gradually blended in my memory, and the impression of the house began to blur. Now, due to work and creative endeavors, the house has increasingly drifted away from its original form in my understanding, becoming more like a tent in a campsite. Although it remains necessary, my attention no longer lingers on it for long. The time I spend in the house now reflects only one-third of its image in my mind. The environment of the house continuously and slowly changes for various reasons over time. These differences are not only limited to objects and events but also involve the transformations in people, emotions, and thoughts. Through the creative process, the overlapping and unveiling of colors contain fragments of imagination about the house.

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(Note: The English version was translated from the software. Please refer to the Chinese version provided by the artist for the exact meaning.)