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法國台裔藝術家巫日文於大觀藝術空間展出「複調‧眾聲—乍現的圖景」個展

大觀藝術空間巫日文複調‧眾聲乍現的圖景法國台裔藝術家

2019-03-30|撰文者:大觀藝術空間/非池中藝術網編輯

法國台裔藝術家巫日文,志學之年即師承台灣前輩代表畫家李石樵十數載,展覽蹤跡遍及台灣、美國、法國、義大利、瑞士、荷蘭、波蘭、韓國等海內外各地,包含諸如阿爾薩斯美術館佩魯日現代美術館尼姆美術館等法國知名美術館,亦在各國如康乃爾大學等重要頂尖院校藝文機構畫廊雙年展展出。

大觀藝術空間-【複調‧眾聲—乍現的圖景 巫日文個展】巫日文,《盛卉》,oil on canvas, 80x65cm,2013。圖/大觀藝術空間提供。

巫日文自幼便追隨李石樵作畫,李石樵師承石川欽一郎,後進入東京美術學校(今東京藝術大學)就學,繪畫作品中融會印象派立體主義等流派表現方式。巫日文因此在習畫的創作過程便得以廣遍群家,隨後到法國深造、獲取學位、定居後,更汲取不同的創作養份,成為自身作品的新風貌。

大觀藝術空間-【複調‧眾聲—乍現的圖景 巫日文個展】巫日文,《幽謐》,oil on canvas,118x91cm,2018。圖/大觀藝術空間提供。

此次大觀藝術空間很榮幸邀請旅居法國的巫日文返台展出,巫日文於創作中省思有關存在的議題,由此展開其「吶喊系列」,在塗刷作品的過程中,也受到嚴培明、李希特(Gerhard Richter)、德庫寧(Willem de Kooning)等藝術家的影響。

大觀藝術空間-【複調‧眾聲—乍現的圖景 巫日文個展】巫日文,《桃豕》,oil on canvas,91x72cm,2015。圖/大觀藝術空間提供。

大觀藝術空間-【複調‧眾聲—乍現的圖景 巫日文個展】巫日文,《嬉望》,oil on canvas,80x65cm,2018。圖/大觀藝術空間提供。

在巫日文的繪畫當中,我們可以清楚的辨識出筆觸,同時也可以明顯察覺巫日文所表現的筆法。並且巫日文以其精彩的文人素養內斂而低調的在這些筆觸與筆法的並容語言中發展出豐富的層次

所以在某些彷彿是花瓣或者葉片之中,甚至在不經意如抽象般的隨筆之中,倘使觀者仔細深入感受其影像內涵,便可看到綺麗無限的風景。在巫日文的繪畫中,觀者看到的已不僅僅是圖像,更是更豐富而且深刻的影像。

大觀藝術空間-【複調‧眾聲—乍現的圖景 巫日文個展】巫日文,《雪花》,oil on canvas,73x61cm,2016。圖/大觀藝術空間提供。

大觀藝術空間-【複調‧眾聲—乍現的圖景 巫日文個展】巫日文,《百合 2016》,oil on canvas,100x80cm,2016。圖/大觀藝術空間提供。

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複調‧眾聲—乍現的圖景:巫日文個展

展期|2019.04.06- 2019.05.05

貴賓預展|04.05

開幕座談|04.06 15:00-16:30

與會嘉賓|藝術家巫日文、國立台灣藝術大學美術系所陳貺怡教授、國立台南藝術大學藝術創作理論研究所陳泓易教授


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大觀藝術空間

開放時間|週二至週日(週一公休) 10:30-18:30

地址|台北市敬業二路69巷16號

捷運|劍南路站2號(明水路)出口,沿敬業二路直走,69巷右轉

電話|(02)8501-5677


Taiwanese artist Jhycheng Wu studied with master painter Lee Shih-Chiao for over a decade before his move to France. He has exhibited extensively in Taiwan, US, France, Italy, Switzerland, the Netherlands, Poland and Korea, including leading galleries in France such as Alsace Museum of Art, Pérouges Museum of Modern Art, Nîmes Museum, as well as international exhibition venues including Cornell University.

Having studied with Lee Shih-Chiao who was a student of Kinihiro, Lee graduated from Tokyo Fine Arts School (now Tokyo University of the Arts) and his works see the influences from Impressionism and Cubism. With various master painters as examples and years of studying and working in France, Wu’s working style is unique and aesthetically satisfying.

Daguan Gallery is very honoured to have invited Jhycheng Wu to return from France for this exhibition. Wu explores one’s existence I life through his paintings and started his “The Howling” series. The brushing and blending of the images indicate the references to artists such as Gerhard Richter and Willem de Kooning.

The brushworks and techniques applied to Jhycheng Wu’s paintings are visibly definable to the audience. With Wu’s rich intellect and cultural background, he has modestly developed multiple layers of art through varied brushworks and refined skills. Among the flower petals, tree leaves, or even the casual and almost abstract brushes, one could study the connotations to the images and discover a beautiful and boundless landscape. One sees more than pictures in Wu’s works, but abundant and profound images.

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Polyphony and Heteroglossia – the glinting visions of Jhycheng Wu

Exhibition Duration | 6 April – 5 May 2019

VIP Preview | Fri 5 April 2019

Art Talk | Sat 6 April 2019

Guest Speakers | Jhycheng Wu, Artist

Professor Chen Kuan-Yi, Department of Fine Art, National Taiwan University of Arts

Professor Chen Hung-Yi, Doctoral Programme in Art Creation and Theory, Tainan University of the Arts           

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Daguan Gallery

Opening Hours | Tue-Sun (closed on Mon) 10.30 – 18.30

Address | 16, Lane 69, Jingyeh 2nd Road, Taipei

MRT | Jiannan Road Station Exit 2 (Mingshui Road), go straight on to Jingyeh 2nd Road then turn right on Lane 69

Phone | (02)8501-5677


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