沒有人的所在

就存在主義哲學家海德格（Martin Heidegger）的觀點之下，人作為主體於世，處於與自然緊密交結且與世界事物合為一體的「在世存有」（Sein-in-der-Welt）狀態。承此而論，即便是無人之境，亦被生命所反應而揭示意義，奠基其上的視覺藝術作品，更成為開顯思想的本體存在。

「沒有人的所在—夏季經典展」特以此種視角，精選來自中、港、日的藝術家作品：志鎌猛透過其宏觀與凝縮的鏡頭畫面，展開對生態的詮釋；李婷婷、鄭丹珊將對地緣及物質的觀察，呈現對於環境空間思維的隱喻；卓家慧、張惠文抽離人身的存在，反藉其他生物融入歷史傳承的個體經驗；金峰、陳瑞瑩於現代工材和勝景中汲取元素，在立體圖像外伏潛感知興寄的弦外之音。此次創作者以含括裝置、雕塑、攝影、水墨等異質媒介的作品共構展覽，藉以於自然軌跡、文化符碼、存在刻痕、生命記憶不同層面下彰顯主題。

Land of Solitude

Existentialist philosopher Martin Heidegger proposed the term being-in-the-world to indicate the closely-knit and harmonious relationship between men and nature. The unoccupied lands in the wild are still reflected and influenced by the world of men, for the consciousness cannot be avoided and continue to reflect on art works created by men.

We have carefully selected works by artists from China, Hong Kong and Japan to participate in this group exhibition. Takeshi Shikama capture the world of nature through camera lenses and paint brushes; Li Tingting and Cheng Tan Shan’s observation on landscapes and their relationships with the space are shown on their ink paintings; Cheuk Ka Wai and Cheung Wai Man distant themselves away from the world of men and focus on the lives of animals and how they had become such an important part of human history; Jin Feng and Chan Sui Ying’s sculptural works break away from two dimensionality in seek for different ways of representing their art. Through installations, sculptures, photography and ink art, the viewers are invited to explore the possibilities of art via a wide range of media.

---------------------- 

沒有人的所在—夏季經典展

展期｜2020.07.25-2020.08.14

藝術家｜李婷婷、 志鎌猛、 卓家慧、 武一、 金鋒、 張惠文、 陳瑞瑩、 鄭丹珊

---------------------- 

大觀藝術空間 

開放時間｜週二至週日(週一公休) 10:30-18:30 

地址｜台北市敬業二路69巷16號 

捷運｜劍南路站2號（明水路）出口，沿敬業二路直走，69巷右轉 

電話｜(02)8501-5677