▋創作自述

「限時動態」來自於網路社群Instagram，如其名所展示，是限定時間發佈，在24小時結束後便會消失的訊息，在社群文化中往往會附記上文字來對影像進行說明，或以濾鏡進行變造。對我而言打卡拍照上傳此是為了檔案化自己的生活，並以共享的模式來邀請他人來介入自己的生命史，而限時動態相對貼文又更急迫地以時間限制作為邀請的期限。我的繪畫作品大多關注影像與繪畫的關係，透過身體、筆觸去重塑觀看影像帶給我的感性，且使用了許多不由我所生產的影像，對於他人生命經驗及影像質地的迷戀，使藉由身體的操作去經驗，以顏料的狀態來開闢於影像中所見的縫隙，可能是破碎的全景攝影，或是轉載產生的像素格色差，對我來講這些影像中被視為瑕疵或是錯誤的「弱」，都是得以安身之處。

▋Statement
Instagram Stories is only published for a limited time and disappear in 24 hours. In social media culture, a Story almost always comes with captions or a filter. To me, Posting aims to archive my life and invites others to engage in my history through a shared platform. A Story, unlike a Post, leveraging the scarcity of time, demands participation imperiously. My works focus on relations between images and painting. Through the body to paint strokes, I reshape the emotional experience I sense from watching images. I collect images I did not produce. I am obsessed with other people's life experiences and the texture of the photos that come along. It could be a failing panorama picture, pixelated chromatic aberration of a worn-out (compressed too many times) JPEG. I experienced it through the manipulation of the body. And by the status of pigments, the intervals I see in the images are revealed. For me, the 'weaknesses' that people viewed as flaws or errors in pictures are the same places for my habitats.

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