日期：2018-06-09 ~ 2018-08-05
“But it’s no use going back to yesterday, because I was a different person then,” said Alice after her experience in the wonderland.
If historical writing and the creation of narrative are inseverable, it means the element of imagination and fiction is always involved in the process as present reality becomes history. When Hayden White proposed the concept that the process of historical construction is similar to literary creation, and constructed a comparison between historical writing and fiction, the boundary between literature and history has been eliminated all together. Past incidents and events, in his opinion, exist in a state of quantum superposition, and only the participation of narrators (observers) can render them meaningful and part of history. In recent years, Shake has appropriated various types of archives as her narrative materials in the attempt to represent Taiwanese historical experience through cinematic writing and narrative experiment. From history-making international treaty to popular music, these archives possess both realistic and fictional elements and excite her narrative imagination.
Two video works featured in the exhibition, Return and Taipei Park, are created in the form of portrait painting, respectively drawing inspiration from Taiwanese cinema and literature to delineate and represent Taiwanese people from different eras. Through these cinematic or literary characters, we can observe the appearance and spirit of Taiwanese society and culture in the past. Subduction Zone adopts the theme of the relationship between Taiwan’s unique geographic environment and geopolitics. An Unsinkable Aircraft Carrier makes use of historical images, words from an international treaty and Taiwanese literature as materials. Whether it is transforming the text of the treaty that have defined Taiwan’s status quo since the Second World War into artificial voiceover echoing above a volcanic crater or animating the historical images of the bombing of Zuoying Harbor by the US air force, the artist has shown us a way of reading through transforming texts, using an alternative perceptual route to depict Taiwan’s geopolitics and cultural history.
The process of re-organizing and narrating these historical events and fictional texts is similar to observing the past and existence of this island and participating in the history that we have never really had a chance to experience. Therefore, the question we should be asking is: what is the connection between these past events and our present? How do they factor into the construction of our knowledge system, and influence our reality now?
 改寫自《愛麗絲夢遊仙境》，原文為：“...but it’s no use going back to yesterday, because I was a different person then.”，當鷹頭獅問及愛麗絲的故事，愛麗絲像是突然意識到在事件經歷後的主體不連續與分裂，覺得當下的自己和過去的自己不是同一個人，Lewis Carroll，臺北，遠流，2010，p.216
1.The quote is taken from Alice in Wonderland. When the gryphon asked Alice about her story, the heroine suddenly realized the discontinued and broken subjectivity before and after her experience in the wonderland, and felt that she was already a different person from before. (Lewis Carroll. Taipei: Yuan-Liou Publishing Co., 2010, p. 216)
寬哥那裡：【【電與非電之間 --- 三貂嶺聲音藝術祭】】NeitherNor Sandiaoling MusicFest
空總臺灣當代文化實驗場：【實驗通信 Signals】CREATORS 2020–21
Anche Studio：【《雙木林》】林予晞攝影展 - 台中站
台北萊卡之家：【Luca Locatelli《Future Studies未來研究》攝影特展】
双方藝廊：【Younger Than Buddha—世代切片】
日期：2020-12-12 ~ 2021-02-21｜台灣，台北市
日期：2020-11-14 ~ 2021-01-24｜台灣，台北市
【2020「人people」台日攝影交流聯展台北展】「people」Taiwan and Japan Photography Exchange Exhibition 2020 in Taipei
日期：2020-11-06 ~ 2021-01-03｜台灣，台北市