日期：2018-06-09 ~ 2018-08-05
“But it’s no use going back to yesterday, because I was a different person then,” said Alice after her experience in the wonderland.
If historical writing and the creation of narrative are inseverable, it means the element of imagination and fiction is always involved in the process as present reality becomes history. When Hayden White proposed the concept that the process of historical construction is similar to literary creation, and constructed a comparison between historical writing and fiction, the boundary between literature and history has been eliminated all together. Past incidents and events, in his opinion, exist in a state of quantum superposition, and only the participation of narrators (observers) can render them meaningful and part of history. In recent years, Shake has appropriated various types of archives as her narrative materials in the attempt to represent Taiwanese historical experience through cinematic writing and narrative experiment. From history-making international treaty to popular music, these archives possess both realistic and fictional elements and excite her narrative imagination.
Two video works featured in the exhibition, Return and Taipei Park, are created in the form of portrait painting, respectively drawing inspiration from Taiwanese cinema and literature to delineate and represent Taiwanese people from different eras. Through these cinematic or literary characters, we can observe the appearance and spirit of Taiwanese society and culture in the past. Subduction Zone adopts the theme of the relationship between Taiwan’s unique geographic environment and geopolitics. An Unsinkable Aircraft Carrier makes use of historical images, words from an international treaty and Taiwanese literature as materials. Whether it is transforming the text of the treaty that have defined Taiwan’s status quo since the Second World War into artificial voiceover echoing above a volcanic crater or animating the historical images of the bombing of Zuoying Harbor by the US air force, the artist has shown us a way of reading through transforming texts, using an alternative perceptual route to depict Taiwan’s geopolitics and cultural history.
The process of re-organizing and narrating these historical events and fictional texts is similar to observing the past and existence of this island and participating in the history that we have never really had a chance to experience. Therefore, the question we should be asking is: what is the connection between these past events and our present? How do they factor into the construction of our knowledge system, and influence our reality now?
 改寫自《愛麗絲夢遊仙境》，原文為：“...but it’s no use going back to yesterday, because I was a different person then.”，當鷹頭獅問及愛麗絲的故事，愛麗絲像是突然意識到在事件經歷後的主體不連續與分裂，覺得當下的自己和過去的自己不是同一個人，Lewis Carroll，臺北，遠流，2010，p.216
1.The quote is taken from Alice in Wonderland. When the gryphon asked Alice about her story, the heroine suddenly realized the discontinued and broken subjectivity before and after her experience in the wonderland, and felt that she was already a different person from before. (Lewis Carroll. Taipei: Yuan-Liou Publishing Co., 2010, p. 216)
國立國父紀念館：【台灣藝壇國寶黃歌川百歲世紀展】The Centenary Exhibition by Taiwan National Treasure Artist KO CHING HUANG
采泥藝術：【武則天—乖離 Wu—BIAS 】蔡士弘個展 The Solo Exhibition of Shih-Hung Tsai
長流美術館：【士峯大藏—現代華人藝術家之光】Reach the peak of perfection- Light of Contemporary Chinese Artists
印象畫廊：【快砳動物派對】新時代的建築 VS 洪易彩繪雕塑
當代一畫廊：【當代一畫廊十周年part 3《昴すばる-林慧姮個展》 】LIN HUI-HENG Solo Exhibition
谷公館：【無名】The Group Exhibition with No Name
沾美藝術庭苑：【元素 – 古素琴油畫個展】
【助產序曲 Midwife Overture】陳建北個展
日期：2019-02-09 ~ 2019-03-24｜台灣，台北市
【烏鬼 Stories We Tell To Scare Ourselves With】
日期：2019-01-26 ~ 2019-04-14｜台灣，台北市
日期：2018-10-28 ~ 2018-12-23｜台灣，台北市