展覽日期 ▍2018/09/08-2018/10/13
開幕茶會 ▍2018/09/08 18:00-21:00
開放時間 ▍週二-週六 13:00-19:00
展覽地點 ▍十方藝術空間（台北市中山區德惠街51號）
官網連結 ▍https://www.galerieovo.com/chenchingming2018

〈停頓的記事人〉-陳慶銘《讓我再逗留一下》

在不斷推進的人類文明，有沒有一刻是物質和精神達到某種平衡的狀態？ 物質現實富足的不允許轉而聚焦在精神的追求相互拉鋸的陳慶銘(以下簡稱陳)，在物質和精神中擺盪，去推敲一種人本的理形狀態。在兩者之間陳以身體為主體作為中介、作為之間的對話，身體就像物質和精神間的瞳孔一般彼此投影著對方，身體樣態也隨著之間角力劇變，這樣的外顯現象便能在陳的創作型態上表述出來。 平面和陶塑，陶媒材上的繪畫性和平面上的雕塑感，繪畫上再現陶塑的樣貌、陶塑上也具現化圖面裡的造型，在互相取樣臨摹的創作思路中，物質與精神的形態被再製、回溯、銳化、模糊，之間的因果關係能互相置換，時間在互相置換的擺盪中逐漸消散，或也許時間在陳的創作思維當中呈現出非線性的運動邏輯，造型也在陳的創作型態中疊加、抵消和融合，在物質現實的認知間產生亂數，但卻在其中淬鍊出當下的永恆。
文/楊曜任


Date ▍2018/09/08-2018/10/13
Opening ▍2018/09/08 18:00-21:00
Time ▍Tue.-Sat. 13:00-19:00
Venue ▍GALLERIE OVO（No.51, Dehuei St., Jhongshan Dist., Taipei City）
Link ▍https://www.galerieovo.com/chenchingming2018en

An Notetaker at a Standstill - Chen Ching Ming “Let me stay a little bit longer”

Amidst the continuous advancement of civilization, is there ever a moment in which the material and the spiritual achieve a certain level of balance? Transforming the rigidity of a rich material reality to a focus on spiritual pursuits, Chen Ching Ming (hereinafter referred to as Chen) deliberates on a humanistic state among swings between material and spiritual. Between the two, Chen uses the body as subject for the media to serve as a dialogue. The body is like a pupil between material and spiritual that projects each other, as the state of the body undergoes drastic change along with the wrestling. This phenomenon of external appearance can be expressed through Chen’s creative style. Planes and pottery. The painting on the ceramic medium and the sense of sculpture on the plane, the appearance of pottery on the painting, the shapes of the images also presented by the pottery - in the creative thought in which each sample from each other, the forms of material and spiritual are reproduced, retrospected, sharpened, and made ambiguous. The causal relationship between them can be replaced with one another, as time gradually dissipates in the swing of mutual replacement. Or, perhaps time exhibits a non-linear logic of motion in Chen’s creative thinking, and creative forms are superimposed, offset, and merged. Chaos is produced in the cognition of material reality, yet a moment of eternity is found amongst this chain.
Written by: Yang Yao-Jen