非池中藝術網

陳慶銘 Chen Ching-Ming

常常想要揮拳，卻打不到對象物，但那個對象物是存在的，只是他們變得遙遠或是隱藏在舒適地帶的底下，腦袋都在想要擾動貌似安逸的各種狀態。創作時常在負面情緒的時候產生，或是，想要使觀者的感受偏向一些真實的情緒，真實的情緒是複雜的，情緒也不是一夕之間而成形的，從之前爆發性的畫面（素描感強烈，具有更強直覺的表現）漸漸轉化為開始堆砌筆觸造成更加混沌的塊面，我認為那些筆觸或是肌理是情緒的堆砌，而背景的處理或是靜物般的描繪拉出一個與觀者的某種直視，營造的劇場效果。描繪對象物依舊是日常生活周遭的人事物，自我的身體給我力量，卻又使我無助，將最常使用的肢體在想像中切下，放置在畫面中審視那坨該使勁的物件，就和一邊撫摸審視打完手槍的衛生紙一樣真實，我的創作依舊在自慰，自慰使人的存在感更為強烈，也更加虛無，在快感中像是將自我昇華到如雲霧一般輕盈，而瞬間墜落至凡間，更加看清世實。

I often want to punch, but can not hit the object, but the object is there, but they become distant or hidden in the comfort zone under the head are trying to disturb seemingly comfortable various states. Creation is often generated in the negative emotions, or, want to make the feelings of the viewer tend to some real emotions, the real mood is complex, emotions are not formed between the overnight, from the previous explosive picture Sketch sense, with more intuitive performance) gradually transformed into the beginning of the pile of strokes caused by more chaotic block, I think those strokes or texture is the emotional pile, and the background of the treatment or still life-like drawing out of a The viewer of some kind of direct view, to create the theater effect. Depicting the object is still the daily life of people around things, the body of my own strength, but I am helpless, the most commonly used limbs in the imagination cut, placed in the picture to look at the tape that hard objects, And the side of the touch of the pistol look at the toilet paper as real, my creation is still masturbation, masturbation makes a sense of the existence of a more intense, but also more nihil, in pleasure like a sublimation to the general as light clouds, and instant Fall to mortal, more see the real world.