展期：2018/10/25 ~ 10/29
尊榮貴賓預展：10/25 (四) (12:00 ~ 21:00)
貴賓預展：10/25 (四) (15:00 ~ 21:00)
10/26 (五) (11:00 ~ 19:00)
公眾展期：10/26 (五) (14:00 ~ 19:00)
10/27 ~ 10/28 (11:00 ~ 19:00)
10/29(11:00 ~ 18:00)
林志航以壓扁可樂罐木雕造型來探討資源循環再利用的綠環保議題，今年看到資本主義下社會被過度消費後的環保問題.....新的作品造型像座"山"，也像"拖鞋"也想早期農業社會得煮飯用灶。約莫從日本殖民時代開始，為了山頭上龐大的森林資源，開山闢路，大批大批珍貴林木的消逝......到今天上山就像走自家的廚房般輕鬆，台灣近來"瘋露營"的熱潮，又是對山的另一個災難的開始，破碎的地景，何時得以喘息 .. ..
藤田 嗣治（1886年11月27日–1968年1月29日），歸化法國後的洗禮名為倫納德•藤田•嗣治（Léonard Tsugouharu Foujita），是出生在日本東京都的畫家，雕刻家。時至今日，仍然是在法國最為著名的日本藝術家。藤田以貓和女人為主題的畫作見長，他將日本畫的技巧引入油畫，他所獨創的「乳白色之肌膚」的裸體畫像在西方藝術界廣受稱讚。藤田嗣治是巴黎派畫家的代表人物。
2018.Taipei Art Expo Exhibition Plan--
In the 2018 Imavision Gallery exhibition planning theme“Scenemaking/Oremaking/Water Making”, to explore the face of drastic changes in the current human environment in different artists (covering Taiwan/Japan/China)—capitalized over-consumption and diversity of the visual spirit— Under the massive intrusion of the media, they come to present the artistic expressions that they desire in their hearts, such as rock paintings/water-brushed ink/paper/watercolor and oil paintings and wood carvings that use water as a carrier medium, and use different materials to create inner paintings.
Peng Wei Shin’s new Mineral paintings, traditional landscape paintings, were created to create natural minerals. He found these colored ores from the original ore as a place where nature is steep and dangerous, and he can freely build mountains and mountains according to his aesthetic tastes. The environment will break away from the ancients/faculty of the teacher and the law, presenting a new piece of rock painting.
Di Qing said before his ink painting work that every piece of his work is a story and has a plot. The sheer and witty person she described under her pen, seems to describe the emptiness and reality of life and dream. A little story about room, balance and connection. "What I want is a special kind of feeling that has my own personal characteristics, so that the audience can remember it at a glance, but I don't like to exaggerate too much. I try to keep my attitude to paint and bring myself to the audience. Pure warmth and touch.
Shoichi Okumura was a Chinese-Japanese hybrid. He was born in Beijing and grew up in Japan. The research institute went to the Central Academy of Fine Arts to study for a master's degree. His paintings are rich in colors. Just like strolling in Chinese gardens, the rockery bonsai is one after another. These things placed in the garden are like small holes in the Taohuayuan, and they can also be called small universes. These scenery will also disappear soon as the city changes. Okumura uses the color of the brush to create a modern peach blossom in his heart to remember the scenery.
Cao Xiaoyang teaches at the Chinese Academy of Fine Arts. He uses charcoal as a pen to get rid of the unique charm of ink and pipe. He dismisses the fascination of water and ink, and is closer to the things themselves. He lives in the mountains in the south of the Yangtze River. In this complex, the wood was burned with charcoal. This painting was born out of the body of the forest. At the moment, it leaped to the surface of the paper and shaped the mountains and rivers in the operation of the artist.
Ink is the most important thing in Wu Yeou Xing. It is important to bring classical art into the contemporary era and transform the traditional landscape painting and ink stacking and cognition into character paintings that lie between real and virtual, ranging from themes to techniques and performances. And innovate the visual limits of contemporary ink painting.
Lin Ching Che's watercolor works have a distinct dual character: in the real world, there is a bit of alienation in silence. Lin Ching Che's sense of loneliness comes from the deliberately constructed urban context on the screen: he is adept at infiltrating the occasional scenes of casual in modern life, and is constantly being carried out through the “dialogue between man and city”. Each "dialogue" module, under the careful consideration of the effects of the rain, decided to paint the mood.
The realist painter paints the landscape around his life and reflects the scenes of his time for later generations. Li Chang Kuo believes that some things cannot be represented by photographic techniques. Realism has its significance value and hopes to reproduce this spirit in Taiwan. Communicated to the younger generation. Hyperrealism attaches great importance to the expression of atmosphere and light, and presents the current situation. It conveys the artist's inner heartfelt affection, which can be seen in Li Chang Kuo's paintings.
Lin Chi Hang discussed the environmental issues of recycling of resources by squashing the styling of cola cans. This year saw the issue of environmental protection after socialism is over-consumed under capitalism..... The new works are shaped like “mountains” and are also like "Slipper" also wants early agricultural society to cook stove
From the time of the Japanese colonial era, in order to build huge forest resources on the hilltops and open up mountains, a large number of precious forests have disappeared. To this day, it is as easy as taking a kitchen in your home. Taiwan has recently been “crazy camping”. The upsurge is also the beginning of another disaster for the mountains. When the broken landscape, it can breathe.
The Japanese woodcarver, Shimazaki Tatsuya, created wood carvings. After graduating from the Sculpture Department at Tama Art University in Japan, he went to the Tokyo Institute of the Arts, the highest art school in Japan. He worked in the conservation of wooden sculptures and studied ancient wood carvings, and studied the ancient wood carvings. Finding an innovative technique of modern wood carving artists, and taking into account the processing techniques that can be preserved for a long time.
Léonard Tsuguharu Foujita (藤田 嗣治 Fujita Tsuguharu, November 27, 1886 – January 29, 1968) was a Japanese–French painter and printmaker born in Tokyo, Japan, who applied Japanese ink techniques to Western style paintings. He has been called "the most important Japanese artist working in the West during the 20th century". His Book of Cats, published in New York by Covici Friede, 1930, with 20 etched plate drawings by Foujita, is one of the top 500 (in price) rare books ever sold, and is ranked by rare book dealers as "the most popular and desirable book on cats ever published
采泥藝術：【TAIPEI DANGDAI台北當代國際藝術博覽會 2020】柔韌之力：旅外華人女性抽象藝術家—池農深、謝貽娟、王淑鈴
采泥藝術：【1989 最好的青春 The Best of Youth 】池農深個展 Wei Jane CHIR An Exhibition for 1989
現代畫廊：【石光景緻－薩爾瓦多 ‧ 馬可 雕塑及攝影展 】Stone and Landscape, Salvador Marco's scultpure & photography exhibition
双方藝廊：【夜太美-陳萬仁個展 Midnight Black-Chen Wan-Jen Solo Exhibition】
北師實驗藝廊：【在/不在 | Negation of You】侯怡亭, 李傑, Florence Lam, 林人中聯展
大河美術 River Art：【超時空行旅】邱奕辰個展
【邱奕寧 --- 寂寞城市--- 水墨個展】
日期：2019-07-18 ~ 2019-07-22｜台灣，台中市
日期：2019-06-01 ~ 2019-06-30｜台灣，台北市
日期：2019-05-24 ~ 2019-05-26｜台灣，新竹縣