傳統是一個框架，所謂當代未嘗不是另一個框架。禪讓，是因應時代的自然換位，是美與善的蛻變與昇華，對傳統既非顛覆亦非因循，至此，創作回歸自心與當下，心中有詩情，紙上自有風韻；心中有山河萬朵，紙上自有氣象萬千。因「心」走筆，隨「意」落墨，以「手」觸動，以「身體」感知，心手身意的交融便是創作的極致。

The process of making art should not be confined by any restraints. It is rather to abdicate from all banalities and return to one’s inceptive instinct.
The Abdication.