非池中藝術網

21世紀是不斷被記憶和遺忘覆蓋的時代。假使以⾃⾝為所有觀看狀態下的起點，視線的所及範圍均被覆蓋上⼀層無形薄膜，此時⾃⾝和被覆蓋的物體也正受到世界的巨⼤包覆，在這⼀裡⼀外的無限感受中，個體好像是懸置在其中，我嘗試著跳脫如此曖昧的情況，過程裡唯有抽離到另⼀個闡述平臺，或許才能更加清晰⼀點，就如同詩歌是那個時空中詩⼈的表達，詩 ⼈是詩歌的創造者，同時也是時代下所創造出來的產物，我跟隨詩⼈般把⽣活中所感受到的形態，表述在我的畫布上，像是這個時代的⾒證者，之所以轉換到畫布上，是希望畫布能如同電腦視窗⼀樣，與世界之間依然保有些許的隔閡，降低所屬時空的內存性關係 。

The 21st century is an era layered continuously by remembrance and forgetting. If weset ourselves as the outset of every conditions in viewing, the field of our vision will seems enveloped bya layer of invisible film, in which simultaneously our own self and the objects within this film are alsobeing wider enveloped by the world, where your own self seems suspended within this limitlessperception of the internal and the external. I attempted to break the barrier of such an ambiguoussituation, in which a clearer view can be somewhat achieved through the process of extraction intoanother platform for expression and elaboration. This is akin to where poems are expressions of poetswithin their own era, and as poets are the creators of the poems, they themselves are simultaneouslyproducts created by the era. Like poets, I expressed the forms experienced in daily life onto my canvas,similar to being a witness of the current era. It is hoped that by transcription onto the canvas, it would actlike a computer window, retaining a division in between worlds, and thus reducing the affinity withheldwithin our own time and space.