非池中藝術網

張嘉哲CHANG,CHIA-CHE

1989年出生於彰化，2016年畢業於國立臺灣藝術大學書畫藝術研究所。具有長期的書畫養成背景，曾於日本大東文化大學書道學科交換留學一年，作品內化書法的古典美學觀，以文字演變為關注與實踐，考察當今文字在國族與全球化語境的複雜性與曖昧性，介於文字–圖像–字碼三者之間的相互辯證。資訊時代的人類世當下，紀錄工具隨著技術革新，使文字以不同型態現身，握筆紀錄的書寫習慣、圖像式的符號文字及輸入法敲擊鍵盤的思考意識，並存於人類的閱讀技能當中，被機械與科技凝視之下的文字，若仍有作為時空憑證的效力，書寫與閱讀的想像則有必要重新審視，傳統與前衛也成為轉譯的縫合工具而非對抗關係。

Chia-Che Chang

Born in 1989 in Changhua County, Chia-Che Chang graduated in 2016 from the Institute of Painting and Calligraphy at the National Taiwan University of Arts.

Having a strong background both in painting and calligraphy, the artist studied in Japan for one year as an exchange student at the Calligraphy Department of Daito Bunka University. His works internalize the classical aesthetic of Chinese calligraphy,the characters evolve into means of concern and practice, examining nowadays written language within the complexity and ambiguity of the nationalism and globalization contexts, considering the dialectic between text, image, and code. In the Anthropocene of the Information Age the recording tools, along with technological advancement, are shaping the text in different forms, holding the pen of the record writing habits, the graphical and the letter symbols, as well as the awareness about input method keyboards. They exist within the human reading skills, spreading words under the eye of machinery and technology. If the space-time evidence is still effective, then it is necessary to re-examine how writing and reading are envisioned. Tradition and avant-garde have also become tools of translation and cohesion, rather than confronting each other.