植 人 語 Eco•Echo

主題描述大自然的美與人之間對話的關係，更深入探討靜態與動態的生命所構成的和諧性，環境物種的多樣性，轉換到造型，運用多元材質，嶄新的的佈局，可以銜接過去和新創作的演變的脈絡過程，也是這個展題命名的另一個原因。新造型和展覽思考的主軸回應環境生態，人文議題，是我縱觀以往和當下創作和生活的藝術關懷。
The theme describes the relation between the beauty of nature and human beings, discussing further the harmony composed of every static and dynamic living thing, such as biodiversity being transformed into multimedia forms to create a brand new phase connecting with the past and displaying the evolutionary context of new creations. It is also the rationale for the exhibition, “Eco•Echo”. The main theme of the exhibition and its new form respond to the environment and ecology, human and cultural issues expressing my artistic concerns after examining the previous and present creations and living.

簡潔的字組合有當代語彙的滲透力。
植，代表植物，有喻意大自然的意思。
人，人文思維和探索造型ㄧ向也是我的創作基底。
語，就是描述對話，生命演譯，探討相關議題的意思。
Combination of concise words carries the penetrating power in contemporary language.
“Eco” refers to nature.
“Echo” represents responsive dialogues and interpretations for relevant environmental issues.
Human indicates men’s thinking and the exploration of forms adopted to communicate the theme and they are also the foundation of my works.

論述人的生態空間，尤其在關懷環境方面，能夠具象跨越次元空間構成三度的造型組合，抽離寫實的空間來進入環境與人的互動及雕塑次元的觀點，以創造作品造型在視覺上和主題意義的聯結。
The exhibition states the ecology for human beings, especially revolves around the environmental friendliness to construct three-dimensional forms beyond general concrete figures. The three-dimensional forms detach from the reality engaging the interactions between the environment and people in order to create the association of artworks and exhibition themes visually.

綠化且健康的環境，以我的觀點，隨著時間流逝，縱使有心人士的抗爭，努力，似乎變成只是個談話的議題，大自然現況依然継續惡化，安身為藝術創作工作者，唯有用作品來表現內心的感觸醒世，也是一種回饋社會的行為，如同文學家寫文章，環保人士用行動衝突，這一切的種種也都是植人語的主軸企圖，從正能量的人文觀點與大自然的對話，尋求一個內在良知的平衡。
Although many efforts have been put into the prevention from environmental destructions, the green and sustainable environment seems only empty talks with the time from my point of view. The condition of nature continues worsening, and as the creator of art, my works are to present the inner feeling and warning toward the world as well as the behavior for giving back to the society. Just as litterateurs use articles while environmentalists adopt movements to achieve the agenda of seeking the balance of consciousness from positive discourses between human perspectives and nature, which is also the attempt of the “Eco•Echo” exhibition.

或許植物不會說話，但是它絕對是我們大環境的一份子，科學對植物的研究，讓我們暸解它們具有知覺，感觀，回應大自然的能力，甚至於帶著哲學性的慢步提醒其他高智慧的生物，如何順應自然，融合共生。
Maybe plants do not talk but they definitely are part of the environment. By researching the botany, we may comprehend that they possess the cognition, senses, and the ability responding to nature. What’s more, the knowledge of botany transforms our slowly formed philosophy to remind those who’re high intelligent creatures how to adapt and live harmoniously with nature.

地球的居所，隨著時空變化，滄桑桑田，地殼變動，昨非今是，沒有恆常不變的外觀，但是生命的堅韌，及物種的基因或突變，或進化，卻有一種非當下智慧所能瞭解的力量，綿延不絕的延續下去，這也是我們應該省思的地方，藉由植人語展覽，踏出一小步，繼續向前邁進。
Earth as the dwelling place varies with the time and space, the ocean and lands changed dramatically and yesterday is not today; no landscape is everlasting. The resilience of lives and the mutation or evolution of species embody the incomprehensible strength at present to be passed down continuously. Meanwhile, the strength provokes our reflection, and we may advance further through the “Eco•Echo” exhibition.