可控與不可控之間

今日世界處在可控與不可控之間，我們每個人的生活何嘗不也在這兩者之間。

我的繪畫從開放性的塗鴉開始，盡量避免可控的習慣。持續一段時間後，剪斷既成的筆觸，重新檢視每張斷片所釋放的新的能量。

除了為傳統筆墨開展更多可能，統合的整體觀一直也是介於可控與不可控之間的鑰匙。

在筆筆接合的過程中，局部與整體相互牽制，讓可控與不可控同時操作，直到整體的統合性達到全新的平衡、調合與美感。

事實上，以文字描述的創作自述有其局限，更深層的內涵只能從作品中慢慢體會。



Between the Controllable and Uncontrollable

The world today is somewhere between the controllable and uncontrollable. Everyone’s life is also between these two states.

I start my painting with open-ended graffiti, trying to avoid falling into old habits. By cutting up all casual strokes I have drawn on paper, I intend to re-interpret the fragments as a transformed creation. The strips all convey new energetic plasticities.

In addition to expanding the conventional strokes to a new stage, the unity of the whole has been a key facet between the controllable and the uncontrollable.

In the process of collaging my strokes, I slowly integrate the controllable and the uncontrollable at the same time. I simultaneously amalgamate the parts and the whole to achieve a new version of balance and beauty.

As a matter of fact, the words cannot be fully expressed, deeper contents can only be perceived in the paintings themselves.