非池中藝術網

2014 畢業於國立台灣藝術大學，木雕組

「性格反差大」我想這是很多人對我的印象，另外對於美腿的著迷就如同我的作品都有腿這項共通點。我柔軟能向外延展卻也時常對內消費自己，這樣的矛盾情結大概在我成長中沒有停止過，或是你看到擁有一雙美腿的蟑螂，那是源於成長過程所中被「既定印象」壓迫，可以說這些是內心反叛的出口。

身為被觀看的角色，除了外在小劇場時時刻刻在發展進成，內心的小劇場也無不推演變化。特別在女性這個奇怪的物種身上，環肥燕瘦美麗醜怪其實本質一樣，卻能讓人變化出喜怒好惡及任何情感。不知道該說無奈吶喊不公平還是自己其實也覺得有趣好笑，既抗議這些壓迫卻又享受其中，說是受害但也是共犯這樣環環相扣的我 們，其實也挺好的。

Lee Chi-Hsun

"Sharp deposition” is my character which has been impressed in many people. Besides, I am captivated by beautiful legs that have much in common as presented in my artwork. I can show such tenderness toward others as well as inward myself. Like this contradiction feeling was never end in my growth life. Yet, you may see a cockroach with beautiful legs of my works, which is origin of depression by stereotype in that time. That would be said spreading rebellion from my mind.

Like a performer, I keep performing on a small stage and developing. Articulating on such kind of STRANGE animal – definitely the same among slim, fleshy, beautiful and ugly women; and it could arouse happiness, anger, favor and loathe. I don’t know that I shall cry helpless due to unfairness or express brightly smiles. At meantime, we are either protesting oppression or enjoying severity, being victim or accomplice level. Ha! Everything will be all right.

2020

台中藝術博覽會，日月日月千禧酒店，台中

2019

「潘朵拉遊戲」，涅普頓畫廊，台北

「 2019年國際木雕藝術交流展」“森態” ，三義木雕博物館，苗栗

「深林裡的溫度」木雕藝術家&藏家收藏分享展，陶華灼藝廊，新北

台中藝術博覽會，日月千禧酒店，台中

豬來了!雕塑創作聯展，陶華灼藝廊，新北

獲獎:

2019

「2019國際木雕競賽」入選，三義木雕博物館，苗栗

「2019台東美展」入選，台東美術館，台東