黃莉庭在2020年於Palais Ehrbar內的Ehrbar Saal音樂廳舉辦德布西音樂會《Etude No. 11（第11號練習曲）》，並將才華展現無遺。這座於19世紀所建造的音樂廳曾有包括約翰尼斯．布拉姆斯、阿諾．荀白克和古斯塔夫．馬勒等有名音樂家在此演奏過。該建築原先是為一名鋼琴製造商所建造的，之後於1911年成為了音樂學院。Ehrbar Saal以義大利文藝復興的精美裝飾風格與能夠傳達美麗聲學而聞名，在19世紀末和20世紀初時的維也納音樂中扮演了重要的角色。這是一個文化精細的時代，且成為當時頂尖音樂家所選擇首演作品的地點。

Jennice黃莉庭是一位來自台灣的專業音樂家，同時具維也納佈雷納音樂學院及英國皇家伯明罕音樂學院的學位。她也曾擔任過維也納世界和平合唱節的鋼琴伴奏。Jennice 目前定居於英國，並持續追求藝術創作，與學生們分享一生的熱情，與其同時擔任鋼琴教育家。

德布西的第11號練習曲Pour les arpèges composés是他在1915年至1917年間所創作的十二首練習曲之一。這些練習曲則是德布西1918年去世前創作的最後作品之一。

德布西的第11號練習曲以精彩、流暢的段落聞名，要求鋼琴家在複雜的手指技巧和快速的手位轉換中遊走。演奏者在表演這首曲子時，除了要傳遞德布西虛無和印象主義的氛圍，同時也要維持清晰和精準度。

第11號練習曲的編曲背景含有技術挑戰和音樂探索，重點在於交錯複雜的多層次分散和弦，創造出既豐富又細緻的聲音。這首練習曲展現了德布西對鋼琴技巧的創新，以及在技術上創造出令人目不轉睛且具有表現力的音樂能力。

第11號練習曲與德布西的許多音樂一樣充滿著豐富協調的和弦、多彩多姿的聲線及引人遐想的意象。體現作曲家對在探索新聲音和突破傳統鋼琴技巧界限的迷戀。德布西透過這首練習曲邀請表演者和聽眾們進入了一個探索聲音和表達想像的世界中。

莉庭的個人演奏會完美展現出一名以優雅、雍容和深度表演的鋼琴家。她以情感詮釋和精湛的演奏技術吸引觀眾，對於古典音樂的專業知識在其演奏中表現得一覽無遺，成功展示其與音樂間的深厚聯繫。莉庭於最近演奏的德布西第11號練習曲影片中的表演令人讚嘆，展現她對左手和聲的出色演繹，並出色地忠實表達樂譜。莉庭對古典樂曲的傑出演繹必是會讓人驚訝無比的體驗。除了無法否認她的熟練和技術造詣外莉庭也能真實表達情感，忠於演奏樂曲的主要核心。

英文譯文：

Concert Location: Ehrbar Saal, Palais Ehrbar, Vienna, Austria

Concert Time: 2020 Sept 6th

Pianist: Li-Ting Huang Jennice

A pianist who combines technical proficiency with genuine emotion

https://youtu.be/Wken30BnTsk?si=AZS7K6Jz9CH6PA0I

Li-Ting Huang’s concert in 2020 playing Debussy Etude at Ehrbar Saal, which is located within the Palais Ehrbar, this 19th Century concert hall has played host to some of the most influential names in music, including Johannes Brahms, Arnold Schoenberg and Gustav Mahler. Originally built for a piano manufacturer, the building became home to a music conservatory in 1911. The Ehrbar Saal is exquisitely decorated in the Italian Renaissance style and possesses a beautiful acoustic. It played a significant role in the musical world of Vienna at the end of the 19th and early 20th Centuries, an era of great cultural sophistication, and premiered works by some of the leading musicians of the day.

Jennice Li-Ting Huang is a professional musician from Taiwan who holds degrees from Prayner Konzervatorium Vienna and the Royal Birmingham Conservatoire. She has also served as a piano accompanist at events like the World Peace Choral Festival in Vienna. Currently based in the United Kingdom, Jennice continues to pursue her artistry and share her life-long passion as a professional pianist.

Debussy's "Étude No. 11, Pour les arpèges composés" (Etude for compound arpeggios) is part of his set of twelve études composed between 1915 and 1917. These études are among the last pieces Debussy composed before his death in 1918.

Debussy's Étude No. 11 is characterized by its shimmering, cascading passages, which require pianists to navigate intricate fingerings and rapid shifts in hand position. The piece challenges performers to maintain clarity and precision while conveying the ethereal and impressionistic atmosphere for which Debussy is renowned.

The background of the Étude No. 11 lies in its technical challenges and musical exploration. It focuses on the intricate and complex nature of compound arpeggios, where multiple layers of arpeggios are interwoven, creating a rich and textured sound. This étude showcases Debussy's innovative approach to piano technique and his ability to create evocative and expressive music within a technical framework.

As with much of Debussy's music, the Étude No. 11 is filled with rich harmonies, colorful textures, and evocative imagery. It embodies the composer's fascination with exploring new sounds and pushing the boundaries of traditional piano technique. Through this étude, Debussy invites both performers and listeners into a world of sonic exploration and imaginative expression.

Jennice Huang’s recital is a perfect portrayal of her as a pianist who performs with elegance, grace, and depth. She captivates audiences with her emotive interpretations and technical precision. Her expertise in classical music is evident in her performances, which demonstrate her profound connection to the music she has mastered. One of her recent video performances of Debussy’s Etude nr.11 is truly astonishing, showcasing her incredible execution of the left-hand harmonies and her remarkable ability to stay true to the dynamics of the piece. Jennice Huang’s excellent rendition of classical pieces promises to be a breathtaking experience. While her proficiency and technical mastery are undeniable, Jennice is also able to express emotions authentically, staying true to the heart of the pieces she performs.