非池中藝術網

當人面對內在的情緒，它們就像彼此衝突山的棱角在體驗的過程中失去和諧和寧靜。當藝術家透過稜角山峰的描寫，面對、觀看、省視，然後真正的接納情緒。在觀看和省視回到警醒的當下，似乎和這些強烈的情緒在觀察之間打開了距離，觀照著情緒不去認同它們，因為這些情緒都來自身份和人格的認同，而真我並沒有受到任何影響。藝術家藉用胡粉渲染雲霧繚繞的山嵐，將這些強烈的情緒沖淡了，整體變得柔和可以觀看。通過這種符號性的轉換和意境表達情緒被化解的過程 ，最終達到繪畫上的寧靜與美好的統一。

Confronted with internal conflicts, perhaps terrifying, roaring out their roars, while sadness comes along with the feeling of pain, seemingly about to be overwhelmed; the angles of the mountain are like these intense emotions of pain, clashing with each other, losing harmony and tranquility. Through the depiction of the angular peaks, the artist confronts, observes, and scrutinizes, and then truly accepts the emotions. In this wakeful moment of looking and introspection, it seems that the artist distances himself from these intense pains and looks at the emotions without recognizing them, because these emotions come from the identity and personality. The real me is not affected in any way. By rendering the misty mountains with powder, the artist has diluted these strong emotions and the whole becomes softer and more viewable. The artist uses this mood to express the process of dissolution of painful emotions.