非池中藝術網

陽光與窗台，淡淡的陽光照在古黃色桌子和花器之上，背景墻壁印著窗戶的格子好像內心憂傷的影子照得很遠很遠，它像一個過去了很久的回憶，遺跡似在默默訴說著它的悲傷，它的情緒仍然在那裡停留著。而桌子前面的花器，簡單明潔的佇立在那裡，跟過去的窗戶影子的格子遺跡形成了一個對比，過去的和現在的。藝術家似乎在這一刻赤裸的直面自己的內在，不再被悲傷拖入記憶中，而是帶著覺知觀看窗戶影子的過去跟它道別，悲傷仍然在那裡，但它有自己的美麗，那是生命的一部分，就安放它在那裡吧，窗格的影子不會打擾最前面的花器，當安靜的陽光撒落在花器的瓶身，讓杯子變得幾乎透明又與背景的窗戶格子的影子容為一體，它同時具有透過與反射的本質，藝術家從藝術表現中深深的體悟到，過去的記憶無法抹滅，有很多故事它己發生就讓它在那裡不去打擾它，但也不再被它卷入情緒之中，學習覺知和保持距離的觀看，簡單臨在當下－「過去心不可得，現在心不可得，未來心不可得，應無所住而生其心」……筆者專注觀那本質清靜美麗的花器之上，陽光的光線讓它變得通透，它反映著周圍的一切卻不會因此變得混沌，而是它總是清明與豁達。從觀看花器到藝術家對自身的思考，這是一個通過影子的觀看產生的頓悟解脫之道。

The sunlight and the window sill, the pale sunlight shines on the ancient yellow table and the flower vessel, the lattice of the window printed on the wall of the background wall seems to be the shadow of inner sadness shining , far away, it is like a memory of the past for a long time, and the remnants seem to be silently telling its sadness, and its emotions are still lingering there. The flower vessel in front of the table, standing there simply and cleanly, contrasts with the latticework of past window shadows, the past and the present. The artist seems to face his inner self nakedly at this moment, no longer being dragged into the memory by the sadness, but looking sat the past of the window's shadow with awareness and saying goodbye to it, the sadness is still there, but it has its own beauty, which is a part of life, so let's put it there, the shadow of the window's lattice won't disturb the flower vase at the front, and when the quiet sunshine falls down on the body of the flower vase, the cups become almost transparent and match the shadow of the window's lattice in the background, and the flower vase in front of the desk, it is a simple and clean vase, which is in contrast with the shadow of the window's lattice in the past. The artist deeply realized from the artistic expression that the memory of the past can not be erased, there are many stories that have been born, so let it be there without disturbing it, but also no longer be involved in its emotions, learn to be aware and keep a distance from the view, and simply be in the present moment - “The past mind is not to be attained, the present mind is not to be attained, the future mind is not to be attained, there should be no abiding mind. ...... focuses on looking at the flower vessel, which is by its very nature calm and beautiful, and the light from the sunlight makes it transparent, and it reflects all that surrounds it, but it doesn't become chaotic because of that, is always clear and open-minded. From looking at the flowers to the artist's reflection on himself, this is a path to enlightenment and liberation through the viewing of shadow