非池中藝術網

陽光灑落在百葉窗戶上樹陰顯得波光鱗鱗，無聲的靜謐像是一個穩定的頻率讓周圍的一切變得若隱若現，似有似無；陽光透過樹葉灑落的光線引入沉思，平息頭腦中雜亂的念頭，只單純在當下駐立，心中不停閃過的念頭造成的焦慮和困擾在這一刻自然地消失了。當觀看專注在觀察光和影之間的變幻時，感受到的不僅僅是一種深沉的寧靜，更是一種意識上的覺醒，好像突然從沉入的水底中冒出來，大大地呼吸了一口新鮮空氣。回歸零的狀態就是簡單地回到當下，藉著這午後的陽光的樹影，在百葉窗的觀察之間，用膠彩的顆粒狀顏料呈現有折射立體光影之效果，仿佛讓時間在此凝固，使得觀看被放大而專注於當下的體驗。

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The sunlight falling on the louvered windows and the shadows of the trees appear to be rippling, and the silent tranquility is like a stable frequency that makes everything around it appear to be hidden, seemingly invisible; the sunlight falling through the leaves of the trees introduces contemplation, calms down the chaotic thoughts in the mind, and simply stands in the present moment, and the anxiety and disturbance caused by the thoughts that keep flashing through the mind naturally disappears at this moment. When the viewer focuses on the changes between light and shadow, the feeling is not only one of deep tranquility, but also an awakening of consciousness, as if suddenly emerging from the bottom of a submerged body of water and taking a breath of fresh air. Returning to the zero state is simply returning to the present moment. Through the shadows of the trees in the afternoon sun, between the blinds, the effect of refracted three-dimensional light and shadow is presented by the mineral pigments, as if time is frozen here, making the view magnified and focusing on the experience of the present moment.