非池中藝術網

1979年 出生於臺灣雲林，現生活於臺灣屏東

2008年 畢業於 國立臺北藝術大學美術創作研究所 創作組

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重要經歷

2007年 臺灣美術新貌展－平面創作系列－首獎

2014年 臺北市立美術館舉辦個展《親愛的，生日快樂》

2018年 關渡美術館舉辦個展《霓虹的盡頭》

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藝術家自述

王亮尹 1979 年出生於臺灣雲林，畢業於臺北藝術大學創作所創作組，展覽足跡遍布臺灣，亦遠赴美國紐約、德國、英國、日本、印尼雅加達、韓國光州美術館等多個國家重要城市展出。於2014年在台北市立美術館舉行個展【親愛的，生日快樂】，2018年關渡美術館舉辦個展【霓虹的盡頭】。曾入選「中國信託當代繪畫獎」及「高雄獎」，亦獲得「台灣美術新貌展」首獎、「龍顏藝術創作獎」、「張心龍美術創作獎」等，以及國藝會多項藝術補助。其作品已被台北市立美術館、國立台灣美術館、高雄市立美術館、藝術銀行、台北藝術大學、金石堂龍顏基金會、台中港區藝術中心與香港驕陽基金會等單位典藏。

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創作理念

王亮尹的創作軌跡圍繞在生活中熟悉的場景，從物質給人的刺激作為主題加以描繪，冷色調與暖色調在畫布上相互衝突但也共鳴共存，其意象在歡笑喜樂之中卻散發出寧靜沉著，甚至帶著些許憂鬱的氛圍。其作品從物我之間的隱密關係，發散至人與消費社會、自然環境的曖昧與矛盾。

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藝術家使用「欲望」這個人類的共通感情，讓筆下的馬戲團、旋轉遊樂園、玩具人偶與聖誕樹脫離了物質的表象，敘說私密的隱喻，有某程度精神上的抽象與表現性，氣氛鮮明而強烈，弔詭但不悔澀，有種感染的能量，摻雜著幽微又緊密的危險，讓觀者在永恆的斑駁間穿梭，探索自己的回憶與想望。

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弔詭的兩重性一直是王亮尹繪畫中最重要與最有趣的特徵，其標誌性的流動筆觸、滴流色塊，把觀者引領至一個遙遠的精神邊界，在那裡，盡頭不是真的盡頭，我們似乎認得所有的事物，但它們逐漸融化成別種意義。在那裡，真實與虛假、記憶與想像、永恆與消逝以甜蜜而殘酷的樣貌交融在一起，因此她的作品給人印象總像是一場濃烈、神秘而不平靜的夢。

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眼前之物華麗而脆弱，我們見證而無法拒絕，畢竟已在盛宴之中。

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b. 1979, Yunlin, Taiwan. Lives and works in Pingtung, Taiwan.

2008 M.F.A., Taipei National University of the Arts.

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EXPERIENCE

2007 New Perspective Art in TaiwanDimensional Creation Series, First Prize, Taichung, Taiwan.

2014 Happy Birthday, My Dear, Taipei Fine Arts Museum, Taipei, Taiwan.

2018 The End of the Rainbow, Kuandu Museum of Fine Arts, Taipei, Taiwan.

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ARTISTS STATEMENT

Wang has been not only in Taiwan but also overseas for exhibitions such as New York, Germany, UK, Japan, Jakarta, Korea, and China. She had solo exhibitions “Happy Birthday, My Dear" at Taipei Fine Arts Museum, Taipei in 2014, “The End of the Rainbow" at Kuandu Museum of Fine Arts, Taipei in 2018. Wang’s artworks are collected by National Taiwan Museum of Fine Arts, Art Bank Taiwan, Taipei Fine Arts Museum, Kaohsiung Museum of Fine Arts, Long Yen Foundation, Taipei National University of the Arts, Taichung County Seaport Art Center, and Sunpride Foundation, and are not only selected by Kaohsiung Award but also won the first prize of NewPerspective Art in Taiwan Dimensional Creation Series, Long Yen Foundation Creative Arts Award, Chang Hsing Lung Award and so on.

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CREATIVE CONCEPT

Wang Liang-Yin’s creative path revolves around familiar scenes in life, depicting material stimuli as the theme. On the canvas, cool and warm, two conflicting color palettes coexist harmoniously, presenting an image of laughter and joy but with a quiet composure and a slightly sorrowful ambiance. Her works evolve from the intimate relationship between objects and the self to the ambiguity and contradiction between human beings, consumer society, and the natural environment.

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Wang observes the world through desire, a common feeling of humankind. It detaches objects from their material appearance and transforms them into intimate metaphors, such as the circus, amusement park, toy figures, and Christmas trees, with a certain degree of spiritual abstraction and expressiveness. In her paintings, atmospheres are vivid and intense, paradoxical yet not obscure, with infectious energy laced with subtle, intimate dangers. Through her visions, viewers explore their memories and desires as they travel through the mottled patches of eternity.

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Ambiguity and paradox are the most interesting two characteristics in Wang’s paintings. Wang uses bleeding brushstrokes and dripping pigments, leading the viewer to a distant spiritual border where the end is not the end. We seem to recognize everything, but it melts into another. There, reality and fantasy, memories and imagination, eternity and disappearance, and joy and cruelty become one. In this way, Wang’s paintings give the impression of intensely compelling mystery, especially the kind associated with disturbing dreams.

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A beautiful yet fragile, we won’t say no to it; we witness; we are already in a feast.